HOLBEIN, Hans the YoungerGerman painter (b. 1497, Augsburg, d. 1543, London). | |||
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Portrait of Jane Pemberton Pintura Identificación:: 52046 Vea nuestra galería en Suecia |
Portrait of Jane Pemberton c. 1540 Vellum mounted on playing card, diameter 5,3 cm c._1540_ Vellum_mounted_on_playing_card,_diameter_5,3_cm |
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The Solothurn Madonna Pintura Identificación:: 52189 Vea nuestra galería en Suecia |
The Solothurn Madonna 1522 Limewood, 140,5 x 102 cm 1522_Limewood,_140,5_x_102_cm |
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St Barbara Pintura Identificación:: 52193 Vea nuestra galería en Suecia |
St Barbara 1516 Wood, 150 x 47 cm 1516_ Wood,_150_x_47_cm |
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Signboard for a Schoolmaster Pintura Identificación:: 52593 Vea nuestra galería en Suecia |
Signboard for a Schoolmaster 1516 Pine panel 1516_Pine_panel |
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Diptych with Christ and the Mater Dolorosa Pintura Identificación:: 63706 Vea nuestra galería en Suecia |
Diptych with Christ and the Mater Dolorosa 1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious 1520_Limewood,_29_x_19.5_cm_(each_panel)_Kunstmuseum,_?ffentliche_Kunstsammlung,_Basle_Jesus_sits_exhausted_on_the_plinth_of_an_aedicula_decorated_in_the_style_of_the_Italian_Renaissance._In_contrast_to_His_strong,_muscular_body,_Jesus'_face_is_ravaged_by_the_strains_of_the_Passion,_arousing_pity_in_the_beholder,_who_is_also_summoned_to_devotion_by_Mary's_gesture_towards_her_Son_and_by_her_pain-stricken_gaze._Though_Jesus_wears_a_large_crown_of_thorns,_indicating_that_the_Via_Crucis_(the_Way_of_the_Cross)_has_begun,_the_wounds_are_absent,_so_that_the_Crucifixion_still_lies_in_the_future;_he_is_not_yet_the_Man_of_Sorrows._The_architecture_indicates_Pilate's_palace._Holbein_has_removed_the_figures_from_the_scenic_setting_of_the_Biblical_story_and_turned_the_tortured_Christ_into_the_main_figure_of_a_devotional_picture.Artist:HOLBEIN,_Hans_the_Younger_Title:_Diptych_with_Christ_and_the_Mater_Dolorosa___Painted_in__1501-1550___,__German__-_-_painting__:_religious |
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| Artista Previo Próximo Artista | ||||||||||
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| HOLBEIN, Hans the Younger | ||||||||||
| German painter (b. 1497, Augsburg, d. 1543, London). | ||||||||||
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